{"version":"1.0","provider_name":"Gerd Schuller","provider_url":"https:\/\/www.gerdschuller.com\/de","author_name":"grmedia","author_url":"https:\/\/www.gerdschuller.com\/de\/author\/grmedia\/","title":"Die Goldberg Variationen - Gerd Schuller","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"aS9EnY2QfH\"><a href=\"https:\/\/www.gerdschuller.com\/de\/theatermusik\/die-goldberg-variationen\/\">Die Goldberg Variationen<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/www.gerdschuller.com\/de\/theatermusik\/die-goldberg-variationen\/embed\/#?secret=aS9EnY2QfH\" width=\"600\" height=\"338\" title=\"&#8222;Die Goldberg Variationen&#8220; &#8211; Gerd Schuller\" data-secret=\"aS9EnY2QfH\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script type=\"text\/javascript\">\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";var e=!1,o=!1;if(l.querySelector)if(d.addEventListener)e=!0;if(d.wp=d.wp||{},!d.wp.receiveEmbedMessage)if(d.wp.receiveEmbedMessage=function(e){var t=e.data;if(t)if(t.secret||t.message||t.value)if(!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var r,a,i,s=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),n=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),o=new RegExp(\"^https?:$\",\"i\"),c=0;c<n.length;c++)n[c].style.display=\"none\";for(c=0;c<s.length;c++)if(r=s[c],e.source===r.contentWindow){if(r.removeAttribute(\"style\"),\"height\"===t.message){if(1e3<(i=parseInt(t.value,10)))i=1e3;else if(~~i<200)i=200;r.height=i}if(\"link\"===t.message)if(a=l.createElement(\"a\"),i=l.createElement(\"a\"),a.href=r.getAttribute(\"src\"),i.href=t.value,o.test(i.protocol))if(i.host===a.host)if(l.activeElement===r)d.top.location.href=t.value}}},e)d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",t,!1),d.addEventListener(\"load\",t,!1);function t(){if(!o){o=!0;for(var e,t,r,a=-1!==navigator.appVersion.indexOf(\"MSIE 10\"),i=!!navigator.userAgent.match(\/Trident.*rv:11\\.\/),s=l.querySelectorAll(\"iframe.wp-embedded-content\"),n=0;n<s.length;n++){if(!(r=(t=s[n]).getAttribute(\"data-secret\")))r=Math.random().toString(36).substr(2,10),t.src+=\"#?secret=\"+r,t.setAttribute(\"data-secret\",r);if(a||i)(e=t.cloneNode(!0)).removeAttribute(\"security\"),t.parentNode.replaceChild(e,t);t.contentWindow.postMessage({message:\"ready\",secret:r},\"*\")}}}}(window,document);\n<\/script>\n","description":"von George Tabori Deutsch von Ursula Gr\u00fctzmacher-Tabori Bruckmeier\/Kudlich\/Navas\/Schuller Im Stadttheater von Jerusalem wird ein neues St\u00fcck geprobt. Mr. Jay, der Regisseur, hat es sich zur Aufgabe gemacht, in sieben Tagen die dramatischsten Szenen der Bibel auf die B\u00fchne zu bringen: Von der Erschaffung der Welt \u00fcber Adam und Evas S\u00fcndenfall, Kains Brudermord, die Opferung Isaaks [&hellip;]"}